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Historical society pans ‘Cesar Chavez’ film for inaccuracies

/ 11:48 PM April 01, 2014

• Group criticizes new film on farm labor leader Cesar Chavez of omitting the key role of movement Filipino leaders

• Decries failure of movie to show the historic alliance between Mexican and Filipino farm workers

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• Movement was born when Filipinos started the 1965 Grape Strike

Larry Itliong and Cesar Chavez of the United Farm Workers march with United Automobile Workers leader Walter Reuther. CONTRIBUTED PHOTO

SEATTLE, Washington — The national leadership of the Filipino American National Historical Society (FANHS) hailed the appearance of United Farm Workers (UFW) co-founder Larry Itliong in the Hollywood biopic “Cesar Chavez,” but criticized its failure “to offer a nuanced and accurate history of the farm workers’ movement.

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The society argues that “Chavez” it does not emphasize the importance of the historic multi-ethnic alliance between Mexicans and Filipinos in the UFW and in the movement that was born as a result the Filipinos’ 1965 Grape Strike.

“We respect Diego Luna’s vision of a film about the heroic rise of Cesar Chavez, but as a history of the farm workers struggle, the film falls short by downplaying, erasing and silencing the significant role that Filipinos and others played in the heroic struggle for farm workers justice in California,” says Dr. Dawn B. Mabalon, National Scholar, board member of FANHS, and associate professor of history at San Francisco State University.

“We understand that this is Hollywood and not a documentary, but the filmmakers still have a responsibility to ensure that the history they present is accurate,” Mabalon explained.

She said they had hoped that the film would show how Filipino strike leaders such as Itliong, Pete Velasco, Philip Vera Cruz, Ben Gines, Andy Imutan and Mexican leaders such Chavez, Dolores Huerta and Gil Padilla did the challenging work of organizing workers and creating and sustaining a coalition, “and how their strategies, cooperation and solidarity resulted in the nation’s first successful farm labor union, the United Farm Workers,” said Mabalon. “It does not.”

Mabalon’s 2013 book, Little Manila is in the Heart: The Making of the Filipino American Community in Stockton, California (Duke University Press), tells the story of the Filipinos’ farm labor struggles from the 1920s onward and the rise of Stockton’s Larry Itliong, a veteran labor organizer in California agriculture and Alaska salmon canneries.

In 1960, Itliong was an organizer for the predominantly Filipino union, the AFL-CIO’s Agricultural Workers Organizing Committee (AWOC). When Delano grape growers refused a wage of $1.40/hr, more than 1,500 AWOC members went on strike and walked out of the fields on Sept. 8, 1965.

When Mexican scabs took their jobs, Itliong convinced Chavez and the National Farm Workers Association (NFWA) to join the strike. On September 16, 1965, the NFWA voted to join the AWOC. In 1966, the AWOC and the NFWA merged to form the United Farm Workers Organizing Committee. Cesar Chavez was named director, and Itliong served as the UFW’s assistant director from 1966-1971. Philip Vera Cruz and Pete Velasco continued to serve on the UFW executive board.

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According to FAHNS,

  • “The film implied that the Chavez organization, the NFWA, was the only union ever in farm labor. Itliong and the Filipinos had been organizing since the 1920s, and they were feared for their militance. Their AFL-CIO’s AWOC had been in Delano since the early 1960s. The Filipino strike that begins on September 8, 1965, is shown for a few seconds on screen and without any context.
  • “The film does not show the historic 1966 merger between the two unions, the AWOC and the NFWA, which gave birth to the UFW. With the new union, Filipinos and Mexicans rejected the “divide and conquer” tactics used by growers (Mexican scabs during Filipino strikes, and vice versa) that had kept the groups from joining to demand better wages, working conditions and basic human dignity. The Grape Strike and the 1966 alliance was unprecedented and changed the course of American labor and social movement history.
  • “The Filipino voice and presence in the UFW is largely absent. Though there were several Filipinos in leadership and several thousand Filipino strikers, only a small group is shown briefly during the Grape Strike. Larry Itliong speaks one line to Chavez. Itliong appears in a few quick shots, always in the background and is absent through most of the film.
  • “The filmmakers erased Filipinos from key moments in which archival and photographic evidence show the opposite. In the climactic contract scene with major grape growers, Larry Itliong is a spectator in the crowd, though he was actually sitting next to Chavez at the signing and played a key role in the negotiations. When Chavez breaks his fast with Senator Kennedy, the row of Filipino leaders (Itliong, Vera Cruz, Imutan) who were lined up behind him are all missing in the film. When Chavez announces his fast, Itliong is shown briefly, silently frowning in the back, when he actually vocally opposed the move and then facilitated the meeting when Chavez leaves. Itliong and Chavez together led several marches. Itliong is not in any march scenes.
  • “Also missing is Itliong’s long friendship with Dolores Huerta that dates back to the 1950s in Stockton, California, his role as a negotiator, and as a coordinator of the international grape boycott.
  • “The warm camaraderie that developed between Filipino and Mexican workers at Delano’s Filipino Hall, used as the strike headquarters and mess hall for many years (now a national landmark) is absent in the film. The hall is shown twice briefly and without Filipinos, with occasional shot of Itliong in the back.
  • “FANHS hopes that the film inspires a new generation towards deeper knowledge of the farmworkers’ struggle, Filipino American history, Mexican American and Latina/o history and ethnic studies, and inspires more coalition-building, dialogue and action towards the issues of global and domestic worker justice and immigration reform.
  • “FANHS encourages the public to watch Marissa Aroy’s documentary on Filipinos in the farm labor movement, ‘Delano Manongs: Forgotten Heroes Of The United Farm Workers,’ in film festivals in 2014 and on PBS stations next year and to read further about the farm labor movement.
  • “FANHS hopes the popularity of the ‘Cesar Chavez’ film leads Hollywood to make and support more films that reflect our diverse American stories.”

Filipino Americans are the largest Asian American group in California, California’s third largest minority group, and the second largest Asian American group in the United States. Latinos and Filipinos are the two of the fastest growing ethnic groups in the nation.

“’Delano Manongs,’ new books, more ethnic studies and the work of FANHS have brought the experiences of Filipinos in California’s labor movement to light,” states Mabalon.  “We need to make sure that our significant place in our nation’s history is not obscured or forgotten.”

The California State Legislature recently passed AB123, which calls for students to learn about Filipino American farm labor organizing as part of history curriculum. Dolores Huerta testified in support of the bill, which was sponsored by Rob Bonta, the first Filipino American California State Assemblyman. Recently, community members in Union City, California renamed a middle school the Itliong/Vera Cruz Middle School to honor the UFW vice-presidents.

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TAGS: ” Diego Luna, AFL-CIO, AWOC, Cesar Chavez, Dolores Huerta, FAHNS, farm workers, Filipino American National Historical Society, labor movement, Larry Itliong, movies, UFW
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